Sunday, 08 March 2009
Work and Leisure / Le travail et le loisir
"Work and Leisure", 2009, oil on canvas
by Deborah Mends
"Le travail et le loisir", 2009, huile sur toile
par Deborah Mends
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Pliny says in his Natural History that in a lost treatise on painting, Apelles (late 4th century BC-early 3rd century BC) argued that knowing when to stop working on a picture is a crucial part of the artist's skill. Those who have visited my studio will know how long I have painted and corrected this work - at six in the morning before work, at two in the morning after work. I don't dare admit exactly how long it is here. However, there is a time when one has to admit that while it could surely be perfected (more things on the desk? a coffee cup? piles of books? but I had those before and painted them out, should I put them back?) the work must stop. Therefore, this commission painting will be shipped off to its new owner in Vermont shortly.
Pline a dit dans son Histoire Naturelle que dans un essai perdu sur la peinture, Apelle (fin 4ème siècle, début 3ème avant J-C) argumentait que la capacité de savoir quand il fallait arrêter de travailler sur un tableau était une partie essentielle de l'expertise de l'artiste. Ceux qui ont visité mon atelier sauraient combien de temps j'ai peint et corrigé cette oeuvre, à six heures du matin avant le boulot, à deux heures du matin après le boulot. Je n'ose pas l'avouer ici. Par contre, il y a un moment quand il faut avouer que, même si sûrement on pourrait perfectionner (plus de choses sur le bureau? une tasse à café? des tonnes de libres? mais je les ai peint avant et je les ai retiré, est-ce que je devrais les remettre?) le travail doit arrêter. Ainsi, ce tableau de commande sera expédié à son nouveau propriétaire dans le Vermont sous peu.
I have been absent from the blog a great deal since September. I am currently working at recasting it in new and more sophisticated technical form that will permit my adding podcasts, e-books, and all sorts of fun things including animations of my funnier artwork. I hope you will enjoy the new expanded format which I hope to have online within a month or so, if the technicians can keep their promises.
Je suis souvent absente du blog depuis septembre. Je suis actuellement en train de le refaire dans une forme technique nouvelle et plus sophistiquée qui me permettra d'ajouter des podcasts, des e-books, et toute sorte de chose amusantes, y compris des animations de mon travail artistique le plus drôle. J'espère que vous allez apprécier la nouvelle forme élargie que j'espère sera sur le Net dans un mois environ, si les techniciens peuvent tenir leurs promesses.
See you very soon!
A très bientôt!
01:28 Posted in Deborah Mends Studio & Atelier | Permalink | Comments (7) | Email this | Tags: painting, work and leisure


Comments
Nice! Great to see that you are painting.
Posted by: Laurie Fox PESSEMIER | Sunday, 08 March 2009
I really love this painting, Deborah!
And what a distinguished looking model.
Dennis
Posted by: Dennis | Sunday, 08 March 2009
I love the vast horizon of desk w/out the clutter of coffee cup and books---just cat. Very nice work! (As usual!)
--Cynthia
Posted by: Cynthia | Monday, 09 March 2009
Congratulations on deciding that your painting is finished; I know how you must feel, but as a strong defender of "less is more" I think it is much better without more books or things on the desk and I like the atmosphere in the painting very much.
Posted by: Louise | Monday, 09 March 2009
The question of more vs. less seems to be an ongoing theme here. The original sketch for the painting had a hugely cluttered desk with a ray of sunlight making a patch that the cat was sunbathing in. When I actually started working on the painting itself, though, aside from the technical problem of creating the ray of sunlight (I am painting in oil here, and tried to do it with glazes), the cat's way of looking at life seemed to carry much less "weight" in the picture than the professor's. I also like the mysterious quality that goes along with a spare scene. There are those who have told me the setting seems less realistic without more clutter, but my sense is that the bare desk creates a greater feeling of allegory...
Deborah
Posted by: Deborah | Monday, 09 March 2009
I agree with you and Louise - the effect is much stronger without the clutter. In looking again at the painting after reading the exchange between you and Louise, I am struck by how much it reminds me of a Hopper painting - the relatively stark layout, the lack of clutter, even the light - in the Nighthawks the light comes from the right, with the lonely man at the left (althought I am certainly not suggesting that the hardworking man behind the counter is the equivalent of the cat).
Posted by: Mallard | Monday, 09 March 2009
Yes, definitely a bit of Hopper to this so it wins my appreciation. Having never seen it with clutter, I can't compare, but I don't find spareness unrealistic so much as a bit surreal. Perhaps you consider that the same. I love the weathered, aged look of all the volumes.
Posted by: Ted | Monday, 09 March 2009
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